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Simon Gruber
Grown up in the nature of the austrian „Mühlviertel“, Simon Gruber discovered in early years his love and deep connection to the nature, which he tried to picture with his camera later.
Far away from home, through trekking trips to lonely places all over the world, Simon intensified this passion for nature in all of its facets.
The continuous engagement with the personal perception and what one is able to express in his pictures, caused him to experience with the camera to find his own creative identity.
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Stéphane Stribick
The series “Les Recomposés Paysagés” (“Recomposed Landscapes”) «ReComPa» 2015-2019
In his numerous quests for places, he has accumulated many photographs, enough to create a library of landscaped moments.
Le RecomposeuR helps us rediscover these places:
Secret spaces on a street shrouded by twilight... A cathedral uprooted by time... A palace floating into the sky...
He questions the “hidden forms” of these places everywhere; he searches for the magic formula... until he solves the mystery through a graphic composition, as unexpected as it is timeless.
Like a scientist in his laboratory, Le RecomposeuR manipulates, compiles and fuses digital molecules to create a chemical reaction... and so landscapes are revealed in surreality.
"I believe in the future resolution of these two states, dream and reality, which are seemingly so contradictory, into a kind of absolute reality, a surreality, if one may so speak." “A. Breton - Manifesto of Surrealism.
Experiencing form through a chance encounter:
Experiencing a place that you have already explored... The emotion attached to a memory you are seeking... Dreaming of a rediscovered landscape...
Practising alchemy creates a new vision...
Between reality and fiction, an infinite combination of possibilities is recreated.
A fortuitous collection of topographic fragments telescoped together, where distances are abolished, where I assign meaning because I provide it with the dignity of a formal system and because I treat it, in short, as the equal of a work of art” André Corbo - L’espace et le detour
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Téo Becher
In the series Tuk Time, Téo found a deep interest in the lanscapes as an inhabited place : not even a century ago, the Inuvialuits were nomads, they did not live in a fixed place but they waded through it, depending on the herds of caribous they hunted. The Occidentals later forced them to settle down, in order to claim their sovereignty on the canadian territory. This paradigm shift raises numerous questions, and more especially as it is accompanied by a will of acculturation from the occidental authorities, and as it results today of a complex mix of inuvialuit traditions and fast-paced consumerist society.
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Thierry Vezon
Thierry Vezon started his career as a nature photographer in 2004. He is attracted by the far North, arctic areas and icy and snowy landscapes. However, his favourite places are located in his region : Provence, the Camargue and the Cevennes. He loves immersing himself in nature and tries in his photos to emphasize the emotional effects that fauna and landscape can have on him. He is also a specialist of aerial photos. Working regularly with environmentally sensitive associations , he hopes he can raise people’s awareness of the protection of nature. He tries to make pictures in an artistic and aesthetic way wishing to provide emotion for people.
He is regularly published in many french and international magazines including Terre Sauvage , Nat’images , Géo, BBC Wildlife Magazine..….
From 2008 to 2021, Thierry has released and illustrated 10 books dealing with biodiversity and the art of Nature .
His photos are exhibited in many nature photo festivals ( like Montier-en-Der international Festival).
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Ysel Fournet
The CALLIPHORA series of photographs is a sentimental introspection in the face of time that eludes us. Creation, childhood, procreation, allow us to better understand the difficulty of accepting the inexorable destiny that awaits us.
By placing existential questions in a Darwinian, Cartesian, mathematical, biological and secular framework, one can rely on the enlightenment rather than the mysticism to explain death. Personal outlet and quest for a universal feeling meet in these disturbing but sincere photographic superimpressions.
We will be the feast of the Fly Calliphora but what a better dream than to join the food chain, the cycle of life that offers us the scientific revelation!
